Gabriel Sosa works primarily with language and its inherent shortcomings, ambiguities, and implications. In No Vehicles in the Park, Sosa’s first solo museum exhibition, he uses drawing to examine how meaning is derived from—and can be manipulated in—an array of legal documents and court decisions. The exhibition title stems from a legal exercise in which participants debate the definition […]

Gabriel Sosa works primarily with language and its inherent shortcomings, ambiguities, and implications. In No Vehicles in the Park, Sosa’s first solo museum exhibition, he uses drawing to examine how meaning is derived from—and can be manipulated in—an array of legal documents and court decisions. The exhibition title stems from a legal exercise in which participants debate the definition […]

Gabriel Sosa works primarily with language and its inherent shortcomings, ambiguities, and implications. In No Vehicles in the Park, Sosa’s first solo museum exhibition, he uses drawing to examine how meaning is derived from—and can be manipulated in—an array of legal documents and court decisions. The exhibition title stems from a legal exercise in which participants debate the definition […]

Gabriel Sosa works primarily with language and its inherent shortcomings, ambiguities, and implications. In No Vehicles in the Park, Sosa’s first solo museum exhibition, he uses drawing to examine how meaning is derived from—and can be manipulated in—an array of legal documents and court decisions. The exhibition title stems from a legal exercise in which participants debate the definition […]